Time-In Children's Art Initiative

Changing Kids’ Perceptions of the World – and of Themselves

The Difference They Make/Why We Fund Them

To develop independent, imaginative, flexible minds, participation in the arts at an early age is essential.  Yet in many of our schools in New York City, arts instruction is being curtailed, or eliminated altogether. 

A practicing artist and professional opera singer, Cyndie Bellen-Berthézène grew up with a love of the arts and knew how much her own life had been enriched by her experience.  In 1997, Cyndie introduced New Yorkers to HiArt!, an introduction to high art aesthetics for very young children that combined opera through hands-on art with museum visits and gallery hops specializing in 20th century art, and that would soon be named as the Best Children’s Arts Program in New York.  Although Cyndie personally provided scholarships to the program for children whose parents couldn’t afford the tuition, she quickly realized that an entire sector of New York City children  - those in at-risk, underserved sections of the city – had no possibility of partaking of this vital, empowering enrichment.  Plan in hand, Cyndie undertook to raise the funds necessary to make sure that the city’s neediest, most at-risk children would be given the same opportunities as their more fortunate peers.  In 2006, a tiny Time In Children's Art Initiative program debuted, providing the exact same HiArt! enrichment and materials to one of the most failing schools in Harlem. Cyndie has progressively shifted her focus almost exclusively to Time In and today, sharing her love of the arts with at-risk kids has become her life’s work; Cyndie now teaches 200 kids who otherwise wouldn’t have instruction in the arts. 

A Morning at Time In

Time-In Children’s Arts Initiative has its own art-filled studio in Chelsea, where children are bused each week from different schools in low-income neighborhoods. To see the program in action is to be truly inspired. Between 25-50 children sit transfixed as Cyndie acts, sings and talks the kids through a portion of an opera video.   The kids reflect on what they’ve seen, sometimes guessing what’s about to happen or empathizing with the characters. As they experience the story of the opera learn the music, plot, characters, dialogue, and set/costume design. 

The group then moves to the creation phase, where the children are immersed in drawing, painting, collage, sculpture, among other art forms in small groups with specially trained resident teaching artists. The classroom frequently expands past the studio’s walls to include many of New York City cultural institutions.  On regular field trips, children attend performances, museums, and galleries for the first time in their lives.

As children interact with the plastic and performing arts, they also develop and refine motor skills, hone their powers of observation, and gain a sense of themselves as independent, self-motivated learners. Their knowledge of real world works of art, music, literature and dance increases their self-esteem. And past experience has shown that the
Time In methodology results in quantifiable improvements in children’s academic performance and sense of social well-being.


Our Goal for Time-In

As more and more kids in poor neighborhoods are denied a life-changing education in the arts, the need for organizations like Time-In will only grow more urgent. The Catalog will provide significant funding to Time-In for three years so that the organization can expand its reach into these schools. We hope to double the number of children whose lives are transformed by Time-In by 2014.

MISSION STATEMENT

The mission of Time In is to give children in at-risk communities a sustained opportunity to experience the exhilaration and empowerment of time spent in an art-filled world.



Donate Now to Time-In Children's Art Initiative

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